Everyone I know who used to be in the intelligence community is moving into the corporate world.
I like movies that pop, that have a little bit of candy on, that freedom to have a little bit of extra fun, but are rooted in real behaviour. Rooted in cause and effect, never violating reality.
The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director, you're shopping - you're picking this actor, you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.