“When I was in Pulp, I actively did more TV stuff because that was during the Great Britpop Wars, and it seemed important to prove that indie people could speak. That war doesn't exist anymore.”
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Well, once you've resigned yourself to the fact that you are the more mature pop performer and you're past the age you ever thought you would do it, you might as well do it as long as you can. As long as I can still lift a microphone, then I'll do it, you know.
Every woman I've had a relationship with has found this maddening the fact that I will talk about anything on the stage, and reveal all this stuff, and yet when I'm at home, I clam up and won't discuss anything intimate or personal.
There's the famous thing that the A&R man from the record company is supposed to do: He's supposed to come into the studio and listen to the songs you've been recording and then say, 'Guys, I don't hear any singles.' And then everybody falls into a terrible depression because you have to write one.
As a shy kid growing up in Sheffield, I fantasized about how it would be great to be famous so I wouldn't actually have to talk to people and feel awkward. And of course, as we all know from fairy stories, when you achieve that ambition, you find out you don't want it.