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When you play a concerto with a small orchestra, you don't feel it is as important as Carnegie Hall. You try to work out all the little problems. Once that's all done, trust comes in.
I am playing the violin, that's all I know, nothing else, no education, no nothing. You just practice every day.
For people who are really talented, what you don't say becomes extremely important. You have to judge what to say and what to leave alone so you can let the talent develop.
Trust me, I'm going to find out where the money has gone and how it has been spent, and see if we can't get it down there quicker to let that rebuilding start.