“I'm always learning from experiences because each one is different and there are different players involved in the project at the time with their own way of doing things.”
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I rarely see one of the 'summer blockbuster' movies. I'd like to see a stronger focus on smaller, smarter movies.
It ain't easy to break out of a mold, but if you do your work, people will ultimately see what you're capable of. Too often, people find it easier to make assumptions and stick with what they believe. They put you in a place and it makes their job easier. The good people constantly search for something different.
People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag.
I had great faith in Irish actors, that they'd be hip to the whole theatre thing, and they are. I had no illusions of coming over here as some kind of big shot. It's been a learning experience for me too.