“One must never assume that a character is sympathetic because of either the actor playing them or the fact that they're a lead. I think that's a recipe for failure, actually, because if they become unsympathetic, you lose your audience.”
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My humor tends to be a little more edgy than is appropriate for 'Twilight, ' although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.
Everyone is given one gift, a reason for being, and it's our obligation to do something with it. Obviously, it's a challenge - but if you're not taking the bull by the horns, I have no patience for you. You're just taking up space.
With 'Twilight, ' you have these massive tomes that you have to condense. With 'Penoza, ' we had an eight episode Dutch series that, just for the pilot alone, I condensed three episodes. So, there's a lot of filling in and a ton of invention that has to happen to fill out eight episodes.
You don't know what someone's going to walk away from a movie with, but you hope it's something positive, but if nothing, you want them most basically to be entertained and engaged. That's your job. But you also hope to give them something to chew on or maybe some insight into the human existence, you hope a little bit. Not to sound too lofty.
