“There's no experience like on-the-job training.”
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Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
In my cranky old age, I actually prefer recording alone now, on 'The Simpsons, ' for example, because I find that the director can just focus on what I'm doing and I can do a lot of variations. A lot of times, when I record with a group, I'll stay after class for another hour or two.
Getting over someone is a grieving process. You mourn the loss of the relationship, and that's only expedited by 'Out of sight, out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine, it reopens the wound. It's a high-class problem, but it's real.