“You have the dreams that you want, and then you have to do other jobs until you can get to that dream.”
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I've been on so many movies. Generally, I haven't gotten to be on the ground level. As of two years ago, in 'Dear John, ' I got to really be on the ground floor. I wasn't a producer. I felt like I put the work in, and I did have a lot of sway on what got fixed, reshoots, so on and so forth. It felt really good.
There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.
I don't think there's a date minimum or maximum. I don't get the whole 'All right, you've got to wait three days to call after the date.' If I got a number from a girl, I'd call that night. There's no science to it for me. You just do what it is that you feel like doing.
I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
