“French design hardly exists, except as artificial modernism.”
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They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.
For me, I am still very happy to be able to do stage design as it's an opportunity to express the extreme.
What I've learned from different designers is that it's key to be true to who you are and your vision. That's always been my line of thinking. Working through the whole design process, I don't want to create something I wouldn't be proud to wear.
The principle of the design - the harmony, rhythm and balance are all the same with interior and fashion design.
