When planning your wedding you make so many decisions: 'Do I want this fork or that fork?' But in the end people aren't going to remember what napkin holder you choose.
Jody Hill, who I created 'Eastbound And Down' and 'Fist Foot Way' with, was my best man at my wedding.
A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.
Where does it stop? You get offered money for your wedding, then for your kids, new houses, holidays... We earn enough from football and sponsorships, why do you need any more?
I don't want a huge wedding. I don't want it to be some huge spectacle.
I don't follow trends. I make each cake for a particular wedding, or event.
I don't think it's possible to have a wedding without it being stressful!
Well the wedding in the words of the Archbishop of Canterbury was a fairy tale and there was a huge public impress, investment of goodwill, affection and indeed money in this Institution. It was a huge success at the time.
I'd been a wedding singer through college, but after a few years of doing my best renditions of jazz standards to clinking glasses and the sound of forks on salad, I thought, 'Oh God, if this is all I do, I'll never be able to live with myself.'
I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.
I didn't finish my dress until about three days before my wedding - I had the flu and was stitching it from my bed. And the tulle came back from India all brown. We had to wash it for hours, but that didn't dissuade me from wearing it.
My wedding was at home, so I didn't really want to wear a veil in my house. Instead I wore a lot of diamond hair clips. They were brooches, actually, designed by Lorraine Schwartz.
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding, ' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
My family is almost exactly like the one in 'Monsoon Wedding'. We are very open, fairly liberal, loud people.
I just wrapped this movie called The Wedding Crashers which was a pretty big break for me.
She tells enough white lies to ice a wedding cake.
On my wedding day. I didn't want a natural, blushing-bride look - I had a full-on hairdo and red lips. I thought it would be disingenuous to do the whole virginal look, so even though I had the white dress, I had pink net underneath.
I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them.
On the publicity tour of 'My Big Fat Greek Wedding, ' I was asked over and over again, if, as the writer, I felt it was a fair depiction of real life to have someone of my er, below average looks, hook up with hottie John Corbett.
I saw a photograph of a wedding conducted by Reverend Moon of the Unification Church. I wanted to understand this event, and the only way to understand it was to write about it.